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Sorrowful mysteries etched into bleeding fingers
By FINTAN O'TOOLE The Irish Times - Friday, March 01,
1996
STRANGELY enough, of all the images in Louis Lentin's superb documentary film
on Goldenbridge orphanage, the most disturbing for me was not one of the violent
ones - a child deliberately scalded with boiling water or beaten with a club
until her whole leg from ankle to hip burst open. We see so much brutality
on the screen that most of us, I suppose, have learned how to shield ourselves
from it. The really searing image was more mundane and less dramatic. It was the
group of middle aged women sitting at their desks in the classroom, re enacting
the endless hours they spent from the age of four onwards making rosary beads.
It was terrible because, after 30 years, they could still do it apparently
without having to think. They could look into the camera and talk powerfully and
coherently, and all the while their hands were working away on their own, the
wire strung over one forefinger, a kind of pliers held in the palm, the beads in
the other hand.
They had to do 60 lots a day after school, stringing together 600 beads, 60
decades of the rosary uttered not with the lips or in the head but in the flesh
and bone of raw, trembling fingers. The prayer's sorrowful mysteries and
ascendant sighs, the mourning and weeping in this valley of tears, were,
literally, etched into these women's bodies. The wire wore a groove into the top
of the finger, so that it sat in an open wound while the children strung it with
beads. Sometimes pieces of glass from the beads splintered off into a child's
eye. Even now, decades later, if you looked closely at the woman's hand while
she spoke and worked, you could see that the inside of her thumb still had the
mark of those countless hours of cruel drudgery.
THESE images are much more than memorable - they invade the memory. They
change forever and for the worse all sorts of memories that seemed stable and
comfortable. I remember the feel of the rosary beads in my mother's gloved hand
as I held it on the way to Mass. I remember the white, shiny rosary beads that I
got for my first communion. I remember the dull black ones that my great
grandmother had wrapped around her joined hands on her death bed. I remember my
grandfather's tan coloured beads as he knelt by his bed every night. And now I
have to remember that some of those beads, those symbols of order and goodness,
were probably placed by fearful little fingers on pieces of wire resting in the
open wounds of children. This, maybe, is the important thing about the current
revelations of abuse in Goldenbridge and St Kyran's in the 1950s and 1960s. They
affect not just the women who still bear the physical and mental marks, but the
whole way in which this society remembers itself. They show us, again, that we
do not yet have a stable point of reference even in the very recent past from
which to judge where, and who, we are.
One week we are watching on our television screens images of Chinese
orphanages. We see small children left in the care of slightly larger ones. We
see babies strapped to potties, left to fall over and lie in their own dirt. We
watch little ones who have forgotten how to smile, staring into space, rocking
back and forth. We rage at the kind of savage neglect that seems possible only
in a totalitarian society. We long to take those poor kids from their barbaric
world into our civilised one. We call the Chinese ambassador into our parliament
to explain herself and her shameful country, knowing for sure that we come from
something better. And then, within weeks, we are shown exactly the same images
in our own orphanages, only projected back 35 years. And we don't really have
the comfort of looking at the big picture of a nasty looking nun on the front of
a tabloid paper and knowing that it is all really just about her. Of course
individuals are responsible for their actions. And of course the religious
institutions which allowed it to continue has a lot to apologise for. But there
is much more to it than that.
Growing up in working class Dublin in the 1960s, there were certain words
that carried a dark meaning all of their own - Artane and Letterfrack. One of
the things you knew so well that you could never remember actually being told it
was that if you were bad you would be sent to one or the other. You knew that
they were places for two kinds off skids - bad ones and orphans. And you did not
know that there was any real distinction between these two categories. For all
practical purposes, there was no real difference between being bad and being an
orphan. IT WAS not accidental, therefore, that the orphanages should be terrible
places. One of their functions was to tidy away, out of sight and mind, the
human refuse of respectable society. But the other was to act as a deterrent
against bad behaviour.
Women who were bad would have their babies sent there. Youngsters who were
bad would be sent there themselves. The places were cruel not just because there
was a nasty nun or even a nasty church, but because part of their job was to be
cruel. They were the earthly hell with which we were threatened. And threats
don't really work unless you know in some unclear but unmistakable way, that
what you are being threatened with is pretty horrible. If places like
Goldenbridge and Artane, Letterfrack and St Kyran's had been full of happiness
and ease, the perverted logic of the kind of society we are struggling to emerge
from would have seen them as an incentive to moral laxity and delinquent
behaviour.
That logic was kept in its place not by one bad nun with a big stick but by
an awful lot of fools and hypocrites in dog collars and suits. And it was
overturned slowly and with enormous effort by men and women working against the
odds for political and social change. These days, with so many battles won, it
is easy to indulge in nostalgia for the old certainties and to forget that what
was most certain about them was their naked cruelty. It is easy to indulge in
liberal self laceration, wondering whether we haven't thrown out the baby with
the bathwater. It is easy to be too forgiving of the ignorance, corruption, and
viciousness that were so pervasive as to be virtually invisible. But to give in
to any of those temptations is to betray the courage, resilience and life giving
anger of those whose pain was strung on bits of wire to count out such shameful
decades.